Does Anyone Actually Want To Go To A Hologram Concert?

I don't really need to look very much further.

At the end of this month, a hologram of Whitney Huston will kick off a world tour. Starting in the U.K. then heading to Europe, ‘An Evening With Whitney Huston Tour’ is set to be one of the first world tours to come out of this technology.

Speaking of live musical performances, we had a chat about Jennifer Lopez and Shakira’s Super Bowl performance on this episode of It’s Been A Big Day For…

However, it’s not the first time hologram concerts have been done. In fact, they’ve been happening for quite some time now.

In 2012, the late 2Pac hit the Coachella stage with Snopp Dogg. After yelling “what the f**k is up Coachella”, he performed ‘2 of Amerikaz Most Wanted’ in one of the most visually stimulating live performances to date.

While the hologram was visually strange, in that he was quite a few shades brighter than regular humans, the social media response showed there was a market for this concept. 

Then came 2014, when an illusion of Michael Jackson performed ‘Slave to the Rhythm’ at the Billboard Music Awards. While this wasn’t technically a hologram (it was actually the Pepper’s illusion effect), it definitely showcased the evolving technology in the world of special effects. 

After that, a whole bunch of other hologram performances popped up (like Amy Whinehouse’s and a lot of K-Pop acts) leading us to this Whitney Huston tour. 

The tour, being presented by BASE Holograms, has 25 scheduled dates across the U.K and Europe on top of a planned Mexico tour and an American leg (the latter to hit in Autumn 2020). But, it begs the question, are there actually a lot of people that want to go see this?

I can understand from a technology perspective, why people would want to see this one time. I’m curious to see how realistic the hologram will look, but other than that, I don’t think there’s much in it for the long run. It certainly captures my curiosity, but I can’t see much longevity in the concept. 

The appeal with concerts is knowing that a musician is in the same room as you, it’s wondering how they’ll interact with the crowd, it’s wondering how the show will differ from other shows past. A hologram concert removes all of this ambiguity. It’s essentially the equivalent of watching a concert at your local cinema. 

But, to be fair, this project has recruited acclaimed choreographer Fatima Robinson to put together a live performance that features a live band, live singers and live backup dancers. So, there is an element of spontaneity, even if it’s not to do with Whitney herself. Also, the tracks will be remastered versions of Whitney’s classic hits, so we can for sure expect a modern twist. 

I’m certainly contemplating going to the Whitney show,  if the tour ends up hitting Australia, but I’m just unsure if there’s going to be demand for a hologram tour in years to come. 

Always be in the loop with our snackable podcast breaking the biggest story of the day. Subscribe toIt’s Been A Big Day For… on your favourite podcast app.

Here’s A Bunch Of Aussie, Queer Artists To Add To Your Mardi Gras Playlist


The Sydney Gay & Lesbian Mardi Gras Festival kicks off tomorrow, which means you’ll be going gay clubbing, like a lot. While the parade doesn’t start until the end of the month, there’s still a whole bunch of performances and events that’ll be coming to a hotspot near you. As a result, we know you’ll be listening to a lot of iconic pop music to get you in the mood.

Speaking of gay icons, we discussed the Gay Man’s Choir’s tribute to Laura Dern on this episode of It’s Been A Big Day For…

And while you should definitely have Cher, ABBA and Arethra Franklin on your Mardi Gras playlists, the festival is always a good excuse to discover some new, queer artists that are singing about queer stories. So, here’s a bunch to get you started:

Cub Sport

In this Brissy band, the frontman (Nelson) and keyboardist (Netterfield) are married, making for one sweet, sweet discography. If you want to hear the most romantic song of all time, I definitely recommend you check out ‘Party Pill’ where the two duet, singing about the first time they met. 

Ms Blanks

Ms Blanks is a Brisbane rapper empowering the trans-community with bop after bop. Each single she drops is politically charged with the aims of shedding a light on gender and racial inequality in Australia. I guarantee you, chucking on ‘Good Good D’ will get anyone onto the dancefloor.


After meeting on a post-rock online forum, these two have been making music for over a decade now. Their most recent album, Futurity, is their best to date. Be sure to add ‘A.I.’ to your playlists, it’s the ultimate, techno party-starter. 


In an interview with Frooty, Montaigne discusses her queerness, saying: “Representation is very important to me. But I also don’t want it to be ‘this person is queer’. I want it to be ‘this person is queer, and all these other amazing things’.” Well, Montaigne is not only a queer artist that’s pumping out amazing pop music, but she’s also going to representing Australia at this year’s Eurovision competition. Couldn’t get more iconic than that, hey? 

Imbi The Girl

This non-binary artist makes the most introspective music out of any artist I know. Their vulnerability, coming through their melodic rap, is so extremely captivating, one listen simply isn’t enough. If you’re looking for a tune to get you started, for sure get into ‘swell’ and enjoy the subsequent deep dive. 

G Flip

Since the first time we heard G Flip’s voice, we haven’t been able to stop listening. Her love songs about her girlfriend are pure pop perfection. Personally, whenever I try to deep dive into her discography, I get stuck with ‘Drink Too Much’, it’s too good to not be repeated. What are you waiting for? Go stream this producer, drummer and vocalist right now!

Always be in the loop with our snackable podcast breaking the biggest story of the day. Subscribe to It’s Been A Big Day For… on your favourite podcast app.

The 1975's Frontman Pledges To Only Play Festivals With Gender Equality

Love 'The Sound' of this!

Yesterday, the line-up for Reading and Leeds festival dropped and well, it wasn’t great. Out of 92 names billed on the first Reading and Leeds poster, only 20 are women. Further, a good amount of these acts were billed on a smaller stage with only one female act on the main stage, per day. 

As a result, the internet has vocalised their disappointment on the matter including the Guardian’s Deputy Music Editor, Laura Snapes, who said “By this stage, we can conclusively assume that Melvin Benn (Managing Director of Festival Republic) doesn’t give a shit about representation.”

The 1975 frontman, Matty Healy, entered the conversation, agreeing with Snapes’ points saying “you are so right”, but then adding “but rage is a dope booking!!!”

Here, Snapes doesn’t quite agree with Healy in her reply, pondering on what could have been: “Rage would be a dope booking if they used their leverage to demand equality on the bill. Any act with power that isn’t doing that, yet is speaking out against inequality, is failing to understand the game-changing role they could play in this situation.”

Then, in a moment of realisation, Matty Healy wholeheartedly agreed with Snapes, saying: “Shit that’s so fucking true.”

Laura Snapes then prompts Healy to take action for his festival runs, saying: “do it MH, add a condition to your rider that says you’ll only play festivals that commit to X% (ideally 50%!) acts that include women and non-binary performers.”

To which, Matty Healy agreed, saying “Take this as me signing this contract – I have agreed to some festivals already that may not adhere to this and I would never let fans down who already have tickets. But from now I will and believe this is how male artist can be true allies.”

Yes, Matty! We stan a supportive king. The two then pondered on the logistics of how this would work.

Speaking of iconic musicians, we spoke to Murray from The Wiggles about potentially collaborating with Lil Nas X on this episode of It’s Been A Big Day For…

While it’s not technically in writing we sure do love a music legend coming out and speaking for what’s right. 

The question on everyone’s minds now is, will he ever play a festival on our shores again? If The 1975 are only opting for shows with 50% women and non-binary artists, it doesn’t look like there are many down under that are suitable.

Thanks to an Instagram account @lineupswithoutmales, we can see, we’re not doing that great with Aussie festivals. Just check out a few from this year. 

Even a festival that The 1975 just played on our shores had 40% non-male artists.

Props to Matty Healy for doing the right thing here, hopefully, more festival promoters strive for a 50-50 split. We’re here for good vibes, not just masc4masc vibes. 

Always be in the loop with our snackable podcast breaking the biggest story of the day. Subscribe to It’s Been A Big Day For… on your favourite podcast app.

Pop-up Channel

Follow Us