Bleats

The Internet Wants Two Of TV's Most Meme-Worthy Chefs To Snag Parts In The Little Mermaid

Please let this happen.

Casting news has been coming in hot and fast for Disney’s upcoming live-action remake of The Little Mermaid.

We’ve got the talented Halle Bailey as our Ariel, Jacob Tremblay and Awkwafina as Founder and Scuttle respectively, and Melissa McCarthy in talks to be Ursula.

These are the only confirmed roles so far (well except for Ursula) but fans have been buzzing over who else they want to see in the film. While there have been some great suggestions (like Idris Elba as King Triton), the internet did its usual thing of taking a good thing and cranking it to 11.

Since it’s not been confirmed that McCarthy will be Ursula just yet, some fan suggested that the sea witch should in fact be celebrity chef Guy Fieri.

Look, that’s… not a bad suggestion actually. Seriously, just look.

The resemblance is uncanny.

I mean, he kind of looks like Ursula already when he’s in his natural state so it won’t take much work from the make-up department to get him looking like a purple sea witch. Just slap some purple body paint on and he’s good to go.

Fans began to really dig this idea, so much so that Fieri himself caught wind of what’s going on and gave it a ringing endorsement.

Fieri wasn’t the only celebrity chef whom fans had in mind for a part in The Little Mermaid. Some folks decided to run with the idea and one genius came up with the idea of casting Gordon Ramsay as Prince Eric’s angry chef, Louis.

Look, Fieri was a pretty funny joke but Ramsay? Please let it happen because he would be perfect as that weird cook.

For what he’s about to make, may the lord make us truly not vomit.

They’re both chefs, both have anger management issues and both have weirdly broad shoulders. It’s perfect. Just stick a fake twirly moustache onto Ramsay’s face and you’re set.

And can you imagine this classic meme but with Sebastian between the slices of bread instead? That alone will be worth the price of admission.

At this point, we couldn’t care less who ends up playing Prince Eric. Just cast celebrity chefs in all the funny supporting parts because that’s an instant win right there.

How China Is Deciding What You Get To See At The Cinema, And Even Disney Is In On it

No, it's not just you noticing all the Chinese pandering going on in Hollywood blockbusters.

The world collectively freaked out when Disney dropped the first trailer for its upcoming live-action adaptation of Mulan. Despite the lack of Mushu, no “I’ll Make A Man Out Of You“, or any indication that it’ll have musical bits, it was a gorgeous trailer that highlights just how much of a badarse Liu Yifei’s Mulan is.

However, one can’t help but feel something is “off” with the trailer and the character of Mulan. Compared to all the joy and emotion found in the 1998 animated classic, this new take just seems… cold.

The Guardian‘s Jingan Young says that this version of Mulan appears to pander to China’s nationalistic agenda and they’re not wrong in that assumption. The 1998 animated film flopped in China upon release so it’s pretty clear that Disney are trying to avoid that problem again by making it more appealing to Chinese audiences.

Some would say this is selling out a film’s creative vision in order to make more money and, well, they’d be completely correct. In fact, Disney are far from the only Hollywood studio to pander to the Chinese market with its blockbusters.

The Chinese film industry is absolutely booming right now, with experts putting it a close second to the US in terms of projected box office earnings for 2019 (about $12 billion vs $11 billion). In fact, these experts are predicting it to topple America as the biggest moviegoing audience by 2020.

As China emerges as a moviegoing market equal to the US but with potential for far more growth – there’s well over 1 billion moviegoers in China compared to the mere 300 or so million in the US – Hollywood studios are making big moves in order to get a slice of that Chinese movie pie.

This is why we’ve seen increased marketing in Asian markets, different edits of films and more big name actors going to Chinese cities to plug movies in recent years: there’s a LOT of money to be made there.

For context on just how increasingly important China is for a movie’s bottom line, about $600 million of Avengers: Endgame‘s $2.7 billion box office gross came from Chinese audiences alone. Yeah, that’s a lot of dosh.

It goes beyond PR stuff as we’re starting to see more Chinese influence on the creative side of things due to an increasing number of American/Chinese co-productions or production partnerships of some kind, like The Meg and Godzilla: King of the Monsters.

This all looks like Hollywood is selling what’s left of its soul for some extra moolah in China and that’s a pretty accurate assumption. But the numbers don’t lie and it all makes sense from a money-making perspective, even if it means sacrificing things like creative freedom for a touch of Chinese pandering.

And business is booming.

It remains to be seen how this all plays out and how movies will ultimately be affected but don’t be too surprised to see more Chinese influence – for better or worse – on your cinema choices over the next decade or so.

Daisy Ridley's Anxiety-Filled First Week On Star Wars Is Incredibly Relatable

Who hasn't wanted to throw up due to nerves while on a Star Wars set?

The first week of any new job is an incredibly stressful experience no matter how experienced you are or what you do.

For Daisy Ridley, she was gripped by those new job nerves when she stepped on the set of Star Wars Episode VII: The Force Awakens and it nearly overwhelmed her. Okay, acting may be acting but it still counts as a job.

Just breathe.

Appearing on the Happy Sad Confused podcast, Daisy revealed that she struggled to process everything when she started working on The Force Awakens and even contemplated anxiety-quitting the gig altogether.

“It was pretty horrid. It was really scary. I felt just sick and I didn’t really know anyone yet. It takes me a really long time to settle down with people.

“And I do remember being behind the speeder and there were loads of people there and somebody had an umbrella over me and even that, like, ‘Oh someone’s holding an umbrella over you? OK.’ And I remember thinking, ‘I can’t do it.’ Like I can’t do this, this is not right.”

Having anxiety and a touch of Imposter Syndrome when starting a new job is perfectly normal and something people go through.

Okay, Daisy was tasked with heading up a new trilogy of Star Wars films, which is probably the most pressure-filled thing anyone can do on this planet, but that feeling of not fitting in at your new workplace and wanting to quit because it’s too much? Totally relatable.

But after a bit of time, she eventually started gelling with J.J. Abrams and the crew, and the rest is now Star Wars history. With her star-making run as Rey about to come to an end with Star Wars Episode IX: The Rise Of Skywalker, Daisy’s come a long way from those early, anxiety-filled days.

And to be honest, stress-quitting a Star Wars movie in the first week isn’t the worst idea in the world. Just imagine all the pressure you face trying to please millions of fans around the world with your performance. I’m getting anxious just thinking about it.

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